Discover the possibilities when recording with ONE's Internal Condenser Microphone. Designed by professional recording engineers to create Apogee’s "Tuned Aperture Microphone Technology", ONE’s built-in mic along with the optional Mic Mount and 3 Meter USB Cable is the ultimate portable recording solution.
Listen to these sound samples created with ONE. Each recording was made directly into GarageBand using the Internal Condenser Microphone and without outboard gear or software plugins.
Recording Acoustic Guitars with ONEAccomplished producer and musician Clay Sears records his guitar in a hotel room in London with just ONE's internal microphone, his MacBook Pro and Logic 9 while on tour with Janet Jackson. It was all recorded next to a noisy street with zero external processing, and the 'percussion' is just Clay smacking the guitar while he's playing.
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Recording Vocals with ONESinger/Songwriter Rachel Geller records her song "Blue" entirely with ONE and her laptop at Apogee's Berkeley Street Studios. Being affordable, high-quality and easy-to-use, Apogee's ONE has proved to be the missing link for Rachel between receiving and sending finished tracks to her producers in the most efficient way.
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Guitar Legend Tommy Emmanuel Records with ONEWith an astounding rendition of his native Australia’s “Waltzing Matilda,” legendary guitarist Tommy Emmanuel records a live performance with just Apogee’s ONE, his laptop, and a room speckled with a few jaw-dropped admirers.
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Using ONE to record an entire song in GarageBand“Forever” is a complete song demonstrating ONE’s amazing potential. Each instrument was recorded using ONE’s internal condenser microphone with the exception of bass and electric guitar, which were recorded direct using ONE’s instrument input. Using careful placement, vocals, acoustic guitar and drums were all recorded in mono. Once tracking was complete “Forever” was edited and mixed in GarageBand. Download the GarageBand session file to see exactly what we did.
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Ozomatli Records Entire Song with ONELos Angeles based group, Ozomatli, records with Apogee’s new USB music interface, ONE. Within 2 hours, Ozomatli wrote, arranged, and recorded an entire song using a Mac, GarageBand, a single external mic and ONE. Guitar, conga, tambourine, and even keyboard (mic’ing the keyboards built in speaker) were all recorded using ONE’s internal condenser microphone. Bass and Requinto guitar were recorded direct, using ONE’s 1/4” Hi-Z instrument input. Taking advantage of ONE’s 65 dB microphone preamp, vocals were recorded via a standard dynamic mic into the XLR input. It was mixed in Logic. Shortly after this session the group hit the road, now each equipped with a ONE and a Mac laptop in order to continue pre-production for their new record.
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Capturing Bach with ONEWith her 1782 Gragnani confidently in hand as if an extension of herself, LA-based musician Christine Wu played Johann Sebastian Bach’s classic violin solo with impressive ease and infectious enjoyment to a handful of lucky Apogee ears.
With notes and emotion authentically captured with the built-in microphone, the recording attests to ONE’s high-fidelity capabilities even with a 230 year-old vintage classical violin.
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When recording drums in mono using ONE’s internal microphone, ONE was placed between the rack tom and floor tom facing the snare drum. This allowed ONE to be in the center of the entire kit capturing all drums equally.
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Recording Cello Entirely with Apogee’s ONE"Pretty Far Gone” was recorded entirely with Apogee’s ONE- including cello, guitar and vocals- captured solely by its internal condenser microphone, premium converters and mic preamp.
With soothing cello, solid and rhythmic acoustic guitar and harmonizing vocals, a song about drinking Jagermeister has never been so intoxicating.
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When recording acoustic guitar in mono using ONE’s internal microphone, ONE was placed one foot away from the fret board around the twelfth fret. We started with ONE directly in front of the twelfth fret but then moved it down the fret board a bit to get away from the sound hole.
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When recording Trumpet using ONE’s internal microphone, ONE was placed at bell height while the player stood off access at a 45 degree angle about 2 feet from ONE. The reason for standing off axis is that pointing the bell directly at the internal microphone caused the signal be a bit bright. Once the player moved off axis we arrived at the tone we were looking for.
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When recording B3 using ONE’s internal microphone, ONE was placed roughly 1.5 feet away and level with the center of the leslie.
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Apogee gear for music creation on a Mac, iPad and iPhone |
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JAM |
Studio quality guitar input
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$99 |
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MiC |
Studio quality microphone
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$199 |
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ONE for iPad & Mac
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2 IN x 2 OUT USB audio interface/microphone
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$349 |
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Duet for iPad & Mac
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2 IN x 4 OUT USB audio interface for iPad & Mac
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$649 |
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Quartet for iPad & Mac
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4 IN x 8 OUT USB audio interface and studio control center for iPad & Mac
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$1395 |
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ONE for Mac |
1 IN x 2 OUT USB Microphone and Audio Interface
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$249 |
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GIO |
1 IN x 2 Out USB guitar interface and software controller for Mac
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$395 |
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Ensemble
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8 IN x 8 OUT FireWire audio interface for MacAll-in-one FireWire audio interface for MacThis product is no longer in production Check the Apogee Store for refurbished Ensembles> |
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Symphony I/O
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2-to-32 channel modular audio interface for Mac
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Starting at$2495 |
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