The Mastersons on recording with Symphony I/O Mk II

We’ve worked with almost every converter on the market in various studios. When it came time for us to upgrade, the choice was clear.

Andrew ‘VoxGod’ Bolooki on Recording ‘Old Town Road’ with Symphony I/O

John Driskell Hopkins of Zac Brown Band on Symphony I/O Mk II

“I’ve been using Apogee for 20 years and the Symphony MKII is literally amazing! I’m hooked!”

Post Malone’s FOH Engineer Joe Hellow on Symphony I/O SoundGrid

Following the success of his sophmore album ‘Beerbongs & Bentleys’, Post Malone has been on a worldwide arena tour. His touring company Posty Co. have been putting on a spectacular show, with truly stunning sound to accompany it. Front of house sound is the responsibility of engineer Joseph Hellow, who has been with the Posty crew for approximately a year now. We caught up with Joe to find out how Symphony I/O Soundgrid helps them to achieve studio-quality sound on stage.

Apogee Meets Stargate – Mikkel Eriksen and Tor Erik Hermansen on Symphony MK II and FX Rack

Producers: Beyonce, Rihanna, Ne-Yo, Pink, Sia, Coldplay

Corey Lowery – Seether Guitarist – Symphony I/O MKII owner

For the best clarity in recording and in your mix, the Apogee Symphony I/O, Mk II Audio Interface is the only choice for me!”

Lyle Workman – Film Composer, Session and Touring Musician

“The Symphony I/O Mk II is an incredible sounding and beautifully designed piece of gear.”

Mat Mitchell – Taking Advantage of Symphony I/O Mk II SoundGrid

Apogee stops by Mat Mitchell’s North Hollywood Studio to Discuss Symphony I/O MK II SoundGrid

Tom Lord-Alge – Grammy Winning Mixer

“The 2×6 SE inspires me on a daily basis, knowing that what is coming out of my console is getting to the listener EXACTLY the way it sounds at my studio!”

Andy Meyer – Front of House Engineer

Recent Projects: Justin Timberlake, Madonna
“Symphony I/O allows me to convert analog outboard gear back into my digital console at levels that other convertors cannot handle…There is a reason this piece is used worldwide in mastering houses, and there’s an absolute reason I continue to support it by taking it worldwide. There is an unprecedented level of trust I have for this piece and what it allows me to accomplish.”