David Newman – Composer

Recent Projects: Serenity, Scooby-Doo!, Ice Age, Throw Momma From The Train, Death to Smoochy
“Symphony I/O is a revelation. I rely on samples to give the director an idea of how the cues for the movie will sound. They need to sound as realistic as possible. That means, beauty of sound, punch, and very importantly – sound staging. Symphony I/O is fantastic in all these aspect of the sound. It a big step forward. I use Symphony I/O with Logic in my writing room. Many things inspire me, but what “irks” me is when the gear doesn’t work and sounds bad. That’s why a piece of gear like the Symphony I/O is really important to me. It’s more “fun” and inspiring to work when everything sounds better.”

Ron Flieger – Producer, Songwriter, Remixer


“…I can have everything set up straight into my laptop with stunning transparency and clarity!”


Recent Projects: Foster The People, Ladyhawke, Metric, Hello Gravity


Nate Mendel – Foo Fighters- Grammy Winning Musician

Recent Projects: Foo Fighters

“I’ve been hearing for years that Apogee converters were the ones to use… the choice was easy.”


Chris Lord-Alge – Grammy Winning Mixer

Recent Projects: U2, Michael Buble, Green Day, Foo Fighters, Stevie Nicks


Everything is so much clearer now! With Symphony I/O, I don’t hear anything but what comes off the console, exactly as it went in.