Miles Walker – Grammy Winning Engineer

Recent Projects: Rihanna, Katy Perry, Usher, Beyoncé

“With the Symphony I/O, I can meet all my current studio needs, but have room to add additional I/O from the same box. Aside from all the other benefits, being modular is really what appealed to me. I see my gear as an investment. I’m never getting rid of my Apogee stuff!”

Young Guru – Grammy Nominated Engineer

Recent Projects: Jay Z, T.I, LL Cool J, Method Man

“With Symphony I/O there’s a tightness in the sound that enhances everything. Kicks have more punch, snares have more hit, vocals stick out without you having to turn them up, everything just sounds more in place sonically and where it’s supposed to be.”

David Newman – Composer

Recent Projects: Serenity, Scooby-Doo!, Ice Age, Throw Momma From The Train, Death to Smoochy
“Symphony I/O is a revelation. I rely on samples to give the director an idea of how the cues for the movie will sound. They need to sound as realistic as possible. That means, beauty of sound, punch, and very importantly – sound staging. Symphony I/O is fantastic in all these aspect of the sound. It a big step forward. I use Symphony I/O with Logic in my writing room. Many things inspire me, but what “irks” me is when the gear doesn’t work and sounds bad. That’s why a piece of gear like the Symphony I/O is really important to me. It’s more “fun” and inspiring to work when everything sounds better.”

Ron Flieger – Producer, Songwriter, Remixer

“…I can have everything set up straight into my laptop with stunning transparency and clarity!”

Recent Projects: Foster The People, Ladyhawke, Metric, Hello Gravity