Absolutely silent in studio use
Mathias Roska is a berlin based award winning producer, arranger and touring musician. He is a Grammy- and 4 times Echo award winner and worked with artists like Andreas Gabalier, Nik P, DJ Ötzi and more. He started to play guitar as a little boy and wanted to be a musician since his childhood. At the age of 16 he was already able to make a living out of playing music in different clubs in Berlin. In 1988 he founded together with 2 colleagues the Octagon studio in Berlin, where he recorded local bands and had learned a lot about recording and mixing. In 1998 he founded his own studio and since 2009 he has his studio in the Berlin Mitte Studio complex, which is located in the legendary Hansa Studios Berlin.
Yu Siyuan, better known for his stage name WhyBeatZ, is a professional DJ/Music Producer from China who was been a force in the music industry for 10 years. Get a glimpse inside the world of WhyBeatZ as we dive a little deeper into his story.
“I’ve never felt that there could be one “perfect converter” because interface needs significantly vary from one user to the next, but after reviewing Symphony I/O Mk II, my feelings have changed.”
“The Apogee Symphony I/O MkII offers no surprises. It’s an astounding converter with incredible detail, superlative specifications and 24/7 reliability. If you buy one, your recordings will undoubtedly step up in quality, and along with the superlative outputs, give your mixes every chance to reach a new zenith too. The price and ‘one-trick-pony’ nature of a converter like the Symphony Mk II position it within reach of only those who rate quality conversion very highly. For such people, the Symphony I/O Mk II will by no means disappoint.”
“This is not a budget piece by any means, but a professional tool made by a group of folks truly passionate about audio recording. The highlights for me were the highly usable touchscreen, unbelievably low latency, and the pristine headphone mix I was able to get”
“…It was like we upgraded the speakers. It was more real. I felt closer to standing in the room when the band played…But only within the context of a real project was I able to appreciate the magnitude of improvement – in realism, depth, and dynamics – that comes with the Symphony system. These converters will upgrade your recording in a significant way.”
“The Symphony preamps are clean and clear, with great dynamics. They easily hold up to (or surpass) far more expensive standalone mic preamps. And, of course, the conversion quality is totally top notch. The system was rock solid. I had nary a glitch or hiccup during hours and hours of sessions.
Next, I moved the Symphony to my home studio and connected it to a Symphony 64 card in my Mac Pro. I used it for mixdowns and overdubs. Once again, it was completely rock solid. There was never a problem with latency, and the sound quality was crystal clear, full, and transparent.
If you’re looking for the best, most flexible converter/interface available, then you need the Apogee Symphony. It simply doesn’t get better than this!”
“We’ve been really happy with Symphony I/O here at The Hangar, and I feel like it’s not only a good audio investment, but that I’ll likely still be using it in ten years, which is not something that you can say about a lot of digital hardware, as it tends to become obsolete quickly. But Apogee has always been a step or two ahead of the curve sonically, and Symphony I/O’s versatile architecture leaves a lot of room for future options, expansion, and upgrades. If you’re looking for a high- end, versatile converter system, you really need to consider it.”
“With versatile I/O complements, comprehensive software control, and the ability to connect directly to computers via USB, 64PCIe interface, or Pro Tools HD interface, the Symphony is a very attractive system. The quality of the audio signal path lives up to Apogee’s claims – this is a very nice and extremely transparent-sounding converter, without the subtle colourations that have been associated with earlier Apogee designs.”